The Image of the Essence 2015
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The film begins with a narrative of the fall of Adam Abul Bashir from Paradise Brin on Earth, so that his exhilarating description of Ferdows, left behind as an excuse to create a garden and a carpet, will open the perspective of the narrative of artistic creation to the eyes of the audience. The role of the garden is the most genuine Iranian role, which involves the formation of it on the carpet and the explanation of its symbolic elements in the middle sections of the narrative. The line of these elements and its evolution from the pre-Islamic Iran to the contemporary era and the manifestation of the elements that have been removed from this role in the three regions of Carpathian style, Tabriz, Kerman and Turkmen Sahra, are the continuation of the film's narrative.